
Appraisal: 1976 Inez Nathaniel-Walker Drawing
Clip: Season 30 Episode 8 | 2m 46sVideo has Closed Captions
Appraisal: 1976 Inez Nathaniel-Walker Drawing
Watch Allan Katz appraise a 1976 Inez Nathaniel-Walker drawing in Coastal Maine Botanical Gardens, Hour 2.
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Problems playing video? | Closed Captioning Feedback
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Appraisal: 1976 Inez Nathaniel-Walker Drawing
Clip: Season 30 Episode 8 | 2m 46sVideo has Closed Captions
Watch Allan Katz appraise a 1976 Inez Nathaniel-Walker drawing in Coastal Maine Botanical Gardens, Hour 2.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: I brought a painting by Inez Walker.
I was at an estate sale.
She had a collection of art that was very eclectic.
And this is really what I went for.
But I bought about nine pieces.
The estate sale company, this particular one, you know, the more you buy, the better the deal is.
So.
I think I paid about $400 for all nine pieces.
APPRAISER: Well, you know it's by Inez Walker.
And it’s signed over on the left-hand column.
Did you see that?
GUEST: I didn’t.
APPRAISER: It looks like it’s part of the design.
She is considered an outsider artist.
She created her art outside the mainstream.
I like the term "self taught."
Inez Walker was born in 1911 in Sumpter, South Carolina.
Very tough life.
Very tough life.
She's an orphan at a very early age, and she was married by the age of 12 or 13.
GUEST: Wow.
APPRAISER: And comes north, into Philadelphia, with the Great Migration.
And she eventually made her way up into Upstate New York, Port Byron, and worked in an apple processing plant.
Sadly, she kills a man who was abusing her.
Sent to prison.
In prison, she starts to draw.
She started out drawing the other inmates.
She called them "the bad girls."
She got out of prison in 1973.
Your piece was made in 1976.
It's a drawing, colored pencil and ink on a piece of paper.
From across the room, you can tell an Inez Walker.
The features of her pieces are very, very distinctive.
The faces are big, they're bold.
The eyes are typically exaggerated, and the clothing is typically clothing that she wore herself.
She has a fairly large body of work and she trades regularly.
She died in 1990.
Like so many of these self-taught artists, it really wasn't till after her death that the market started to take notice of her work.
Retail, I would put a value on this of $3,000... GUEST: Oh, my God.
APPRAISER: ...to $3,500.
GUEST: No kidding!
APPRAISER: No.
(whispers): GUEST: Wow.
APPRAISER: Tough life.
Yeah.
Tough life.
GUEST: I, I appreciate it even more now.
APPRAISER: Yeah, no, it, it is.
(sighs): And these self-taught artists, you know, just... (clicks tongue) GUEST: (laughs, sniffles) You got me.
(laughing) It gets me, too, trust me.
Just tough.
APPRAISER: It's a heartbreaking story.
GUEST: It is.
It is heartbreaking.
APPRAISER: Yeah, I had no idea.
Appraisal: Adirondack Folk Art Table, ca. 1890
Video has Closed Captions
Clip: S30 Ep8 | 2m 30s | Appraisal: Adirondack Folk Art Table, ca. 1890 (2m 30s)
Appraisal: Diamond & Natural Pearl Pin, ca. 1920
Video has Closed Captions
Clip: S30 Ep8 | 2m 46s | Appraisal: Diamond & Natural Pearl Pin, ca. 1920 (2m 46s)
Appraisal: Dolphins Griese, Marino & Csonka Signed Football
Video has Closed Captions
Clip: S30 Ep8 | 2m 24s | Appraisal: Dolphins Griese, Marino & Csonka Signed Football (2m 24s)
Appraisal: "Teenage Mutant Ninja Turtles" Archive, ca. 1984
Video has Closed Captions
Clip: S30 Ep8 | 3m 3s | Appraisal: "Teenage Mutant Ninja Turtles" Archive, ca. 1984 (3m 3s)
Appraisal: Uncle Sam Cast-iron Doorstop, ca. 1915
Video has Closed Captions
Clip: S30 Ep8 | 2m 58s | Appraisal: Uncle Sam Cast-iron Doorstop, ca. 1915 (2m 58s)
Preview: Coastal Maine Botanical Gardens, Hour 2
Video has Closed Captions
Preview: S30 Ep8 | 30s | Preview: Coastal Maine Botanical Gardens, Hour 2 (30s)
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